by Christina Fredin

Rankin and his character DI Rebus are old friends. Having been through 20 years together, it is clear Rankin knows his detective and is familiar with his habits both on and off the job. With forced retirement fast approaching, Rebus is anxious to wrap up unsolved cases, find the ones who got away, and come to terms with his famous and long lasting grudge against a former crime lord – Gerald “Big Ger” Cafferty – Rebus’ nemesis in books and years past. While investigating the murder of a Russian poet, Rebus begins connecting more and more strings to Cafferty, fueling his driving need to put Cafferty behind bars as a retirement gift to himself.
As a fan of crime fiction, I found the book an enjoyable read because Rankin is not prone to write graphic violence into his novels. He focuses more on character development and does a commendable job. Granted, a lot of characters appear in the story, making it difficult at times to keep all the storyline connections in their proper place, especially the Russian characters. However, as you delve deeper and deeper into the story, the characters begin to sort themselves out into their proper niches and become encompassed by the greater story.
The only downfall of Exit Music is the ending. Don’t worry, fellow crime fiction readers, I realize giving away the ending is a sin almost worse than murder! However, I feel compelled to warn you that you may encounter an unusual ending to the story… and I will only say it is not what you think. My initial reaction was, “Wha’? You can’t leave it this way, Ian Rankin! It isn’t fair!” and I still haven’t fully recovered.
Despite the ending, I found the book wonderfully entertaining, yet realistic and compelling. I felt sorry to see Rebus being forced out of a job he truly enjoys and has become a part of who he is. It seems the task now lies with his partner, Siobhan Clark, to serve and protect the people of Edinburgh. Retirement seems to be the final destination of DI Rebus…or is it?